Wednesday, June 10, 2026

Should I Continue Writing This Book?

 Chapter One

My writing method is a bit weird. I don't write notes on the timeline, plot, or characters. Usually, something triggers an idea in my mind, and I let my imagination do the rest. 
I start writing and think of the next 4-5 steps ahead. Later, I go back and change or add something, but usually the story flows pretty smoothly as I progress with the chapters.

Although I just finished writing chapter one, this will not be the final version. As the story flows, I might go back to rewrite parts of it.

Let me know what you think

Did the beginning of the story catch your attention? 
Does this chapter promise you a story you'd like to read as a full novel?

Chapter One

The heavy oak door of the Historical Archives groaned in protest as Jayden pushed it open, the cool air a stark contrast to the bustling Budapest street outside. Sunlight filtered through stained-glass windows depicting scenes of Hungarian conquest and artistry, casting a web of colors across the polished marble floor. He’d been there before, years ago, a wide-eyed archaeological student tracing his ancestral footsteps. Now, as a recognized archaeologist and full-time employee, he was there with a purpose, a singular, all-consuming mission that had driven him across an ocean to discover his heritage. On his first day on the job, he was punctual and even switched from his usual T-shirt and faded jeans to a not-so-neatly-ironed shirt and trousers. His thick, brown hair was tied with a rubber band, and face neatly shaved, he was looking forward to meeting Dr. Molnar, a great source of the history of the Hunnic Empire.

His gaze swept across the grand hall, a silent testament to centuries of history. Busts of stern-faced monarchs and stoic generals lined the walls, their marble eyes seeming to judge his youthful ambition. Jayden adjusted the strap of his worn leather satchel that contained all his scribbled notes, digitized maps, and photocopied ancient texts. He was searching for a needle in a haystack; a burial site lost to time but whispered about in hushed tones and dismissed by most as folklore. Attila the Hun’s final resting place.

He approached the information desk, a polished mahogany behemoth manned by a woman with a stern expression, hair pulled back in a severe bun. “Excuse me,” Jayden began, his voice a little too loud in the solemn quiet. “I’m a new employee, and I’m supposed to report to Dr. Molnar.”

The woman blinked, her expression unreadable. “Third floor.” Her tone was flat and efficient.

Jayden offered a polite nod.

Dr. Andras Molnar, a renowned, though eccentric, historian who had supposedly dedicated his later years to the very subject Jayden was now obsessed with. Molnar’s published works were sparse, but the few he had written hinted at a deep, intuitive understanding of the Huns. Jayden had managed to secure a position in his department, a lifeline in his otherwise solitary research.

He navigated the echoing corridors, the sheer volume of artifacts overwhelming. Armoires, weaponry, ornate jewelry, each piece a silent story, a fragment of a life lived long ago. He found the stairs and ascended, the air growing slightly warmer, the scent of old paper and dust more prominent. The third floor was quiet. Display cases and shelves held pottery shards, faded textiles, and arrowheads, each meticulously labelled with dates and origin.

The door was wide open to Dr. Molnar’s office. Jayden peeked in and scanned the cramped room overflowing with books. Piles of academic journals teetered precariously on shelves that sagged under their weight. Jayden knocked.

No answer. He knocked again, a little louder.

He heard a muffled cough, then the shuffle of papers. A woman in her late twenties stood up, her dark hair pulled back into a messy bun that seemed to defy gravity. She wore a practical, slightly paint-splattered linen shirt and sensible slacks, her hands stained with what looked like ink. Her eyes, a startling shade of intelligent green, widened slightly.

“Yes?” she asked, her voice a warm alto, laced with a hint of weariness.

Jayden felt a momentary pang of disappointment. This wasn’t Dr. Molnar. “I’m sorry,” he stammered, “I’m looking for Dr. Andras Molnar. I had been hired by him and…”

The woman offered a small, apologetic smile. “Oh, Jayden Marlow. Dr. Molnar told me you’re starting today, but he’s… not in… today is the third day he didn’t show up, which is highly unusual.” She smiled politely. “I’m Anna Novak. I’m his research assistant.”

Jayden’s shoulders slightly sagged, feeling disappointed. He’d counted so much on this meeting. “Nice to meet you, Miss Novak.” he extended a hand.

Anna’s grip was firm, her touch surprisingly cool, her gaze sharp, appraising. “Dr. Molnar said you’ve signed a full-year contract with us to extend your research.”

“Yes,” Jayden replied, trying to read her expression. He hesitated, then decided to take a chance. “I’m particularly interested in the Hunnic period. Specifically… the potential location of Attila’s burial site.”

Anna’s eyebrows shot up, a flicker of genuine surprise replacing the weariness in her eyes. She leaned against the desk, crossing her arms. “Attila’s burial site,” she mused, a faint smile playing on her lips. “A classic. The Huns were a bit… more elusive than leaving clear written records behind.”

“More elusive, perhaps,” Jayden conceded, stepping further into the cluttered office, drawn by her intelligent curiosity. “But that’s precisely what makes it so compelling. The legends, the lack of concrete evidence… it all points to something deliberately hidden.”

Anna’s gaze shifted from his face to a worn leather satchel on his shoulder. “Deliberately hidden,” she echoed, her voice thoughtful. “And what makes you think it’s here, in the archives, rather than somewhere in the Great Plains of Hungary, or even further east?”

Jayden gestured toward a stack of books near her desk. “Dr. Molnar’s work. His theories on the strategic significance of river systems, the migratory patterns… he seemed to hint at a more complex geographical puzzle than most have considered.”

Anna’s smile widened, a genuine spark igniting in her green eyes. “Ah, his ‘river of gold’ theory. He was always fascinated by the union of natural waterways. I assume you’ve read all his books.”

“Obsessively,” Jayden admitted, a flush creeping up his neck. He felt a sudden surge of validation, that someone else understood the depth of his interest, the intellectual current that had pulled him here.

“Obsessively is good,” Anna said, her tone laced with amusement. “He would appreciate that. He believed the key wasn’t just in the texts, but in the nuances of language, the forgotten dialects, the coded messages left on everyday items by those who sought to protect their secrets.”

She pushed a stray strand of hair behind her ear as Jayden watched her, intrigued. There was an intensity about her, a sharp focus that mirrored his own. He felt a strange sense of ease, a connection forming in this cluttered space, amidst the ghosts of centuries past.

“That’s going to be your desk.” Anna pointed at the desk buried under stacks of papers and books. “It’s a bit of a mess; I didn’t have time to clean it for you,” she said, with a slight shrug of her shoulders.

“No problem. I’m not really known for my neat working environment.” He laughed. “What are you working on?”

“I’ve been working on cataloging a recent find. A quiver made of leather,” Anna said, her voice shifting to a professional tone. “Mostly unremarkable, until…” She trailed off, her gaze drifting to a long object on a nearby table, covered by a dark cloth, and stood up. “Until I found something etched on the inside.”

Jayden followed her to the table, his archaeologist’s instinct kicking into overdrive. “Etched? What kind of etchings?”

Anna walked over to the table and, with a swift motion, pulled back the cloth, revealing an arrow holder, a quiver. On the hardened leather were faint, almost invisible markings. Jayden squinted, leaning in closer. They were runes dotted with a few archaic symbols he couldn’t immediately place.

“Rovásírás,” Anna said softly, her voice filled with a quiet reverence. “Hungarian runes, mixed with something older, something… else.”

Jayden felt a thrill shoot through him, cold and exhilarating. Rovásírás. He had studied it, though his proficiency was not perfect yet. “Would you mind telling me what it says?”

Anna’s green eyes met his, blazing with excitement. “It’s… fragmented. But some phrases are undeniably significant. ‘The water’s turn,’ it says here.” She pointed to a cluster of symbols. “And then, ‘the serpent’s sleep.’ And a direction… ‘west of the great bend.’”

Jayden’s mind raced, piecing together Anna’s words with Dr. Molnar’s theory and his own research. The Tisza River’s ancient course. The legends of Attila, often associated with water and hidden riches. “The water’s turn…” he murmured, his voice hushed with an emerging realization. “And the serpent’s sleep… a riverbed? A dry riverbed, perhaps?”

Anna nodded, her gaze locked on the etchings. “That’s what I suspect. The ‘great bend’… it could refer to a significant geographical feature. And ‘west of’ it… this is more than just a quiver. Don’t you think?”

Jayden met her gaze. He could feel the weight of years of solitary searching lifting. “I believe,” Jayden said, his voice barely a whisper, “it might be the key. The key to Attila’s resting place.”

He watched Anna’s face, the intensity of her focus, the way her mind was already dissecting the problem, and a feeling of profound hope, a sensation he hadn't allowed himself to entertain for years.

“The challenge now,” Anna was saying, her finger tracing the line of a particularly intricate rune, “is to ascertain which ‘great bend’ and which river. Every river, including the Tisza, has shifted course over time.”

“But the arrow case… it’s dated, isn’t it? Can we narrow down the period?” Jayden asked, his mind already racing through cartographical and historical data he’d meticulously compiled.

Anna nodded, her gaze still on the case. “The craftsmanship suggests a mid-5th-century origin. That places it squarely within Attila’s reign. And the materials, the pigments used to preserve the leather… they’re consistent with burial artifacts from that era.”

“But if it’s a clue to Attila’s tomb,” Jayden pressed, “then it would have been placed with immense care, likely by someone who knew its significance, someone who wanted to protect it. Where was it found?”

“Far from the Tisza River, in the eastern part of the country. An excavation revealed a burial mound, the grave of a Taltos. Every artifact in the chamber beneath the mound was surprisingly well preserved, as you see.”

The wheels in Jayden’s mind were turning furiously. “Dr. Molnar’s work,” he mused aloud, “he talked about how the Huns were masters of deception, of creating phantom armies, of disappearing into the landscape. They wouldn’t leave a direct trail, not for something as sacred as their Great King’s final resting place.”

Anna turned from the display, her expression thoughtful. “Precisely. So, ‘the water’s turn’ and ‘the serpent’s sleep’ could be metaphors, not literal geographical markers. Or perhaps they are literal, but so obscured by time and geological change that only someone with intimate knowledge of the land, and a keen eye for its subtle shifts, could interpret them.” She ran a hand through her dark hair. “It’s a fascinating puzzle. And one that requires more than just deciphering runes. It requires understanding the Hunnic mindset.”

Jayden nodded. “I’ve spent years studying their nomadic strategies, their military tactics, their cultural practices. I have a… a feeling for them. My family is from Hungary, you see. There’s a part of me that’s always felt connected to the past.”

Anna’s eyes softened slightly. “I understand. My own family has deep roots here. We carry the history of centuries in our blood.” She gestured around the cramped office. “This is my world. Trying to make sense of it all. To give a voice to those who have been forgotten by time.”

Jayden felt a surge of admiration for her. “So,” he said, trying to suppress the growing admiration for her, “if we assume the arrow case is genuine, and the clue is encoded, how do we begin to verify the ‘great bend’ and the ‘water’s turn’?”

“We…” Anna acknowledged with a small smile, a question shining in her eyes as she looked at Jayden.

“Sorry, I didn’t mean…” Jayden mumbled. “I assumed we could be working together because…”

“Because we’re both obsessed with the past?” Anna smiled.

“Yes,” Jayden sighed, returning the smile.

“Right. We start with maps,” Anna said decisively, her focus returning to the task at hand. “Ancient maps, geological surveys, satellite imagery of the Tisza basin. We look for anomalies, for river courses that don’t match current topography, for any indication of a significant ancient diversion. And we cross-reference that with any historical accounts of Hunnic presence in those specific regions.”

She began to rummage through the piles of books and papers on her desk, her movements efficient and purposeful.

“Dr. Molnar,” Jayden said, “does he have any specific hypotheses about where this ‘great bend’ might be?”

Anna paused, a thick, leather-bound volume in her hands. “He was always drawn to the region around Szeged. The confluence of the Tisza and the Maros rivers. He believed it was a significant strategic point for the Huns, a place of power and potentially, a place for something hidden.” She tapped the book. “This is one of his unpublished journals. He was working on a comprehensive theory of Attila’s burial. I haven’t fully read it yet, but some passages are… intriguing.”

She placed the journal on her desk, sat down, and rolled her chair to reach her computer. “Let me access the museum’s digital archives. I’ve been comparing his theories with hard cartographical data. It requires a lot of cross-referencing.”

As Anna began to type, her fingers flying across the keyboard, Jayden leaned forward, watching her, a renewed sense of urgency building within him when he noticed a tiny flicker from the corner of her eye. Turning toward the wall where a painting of a nobleman hung in full 16th-century Hungarian attire. He scanned the painting and noticed a dark object at the corner of the frame.

“You know,” Anna said, without looking up from her screen, “Dr. Molnar believed that the Huns deliberately used misdirection. That the legends of vast treasures were partly a lure, to draw attention away from the true hiding place, and partly a warning. ‘Do not seek what is meant to remain hidden,’ he once wrote.”

Jayden turned and walked to the painting, taking a closer look. He pulled off a small, circular device, no larger than a coin. It was sleek, metallic, and utterly alien to his usual archeological tools. A camera. He thought of examining the device.

Anna looked up, her eyes questioning his sudden stillness. “Jayden? What is it?”

Jayden held up the device, his face a mask of striking realization. “Someone had planted this. And they’ve been watching Dr. Molnar and you.” He stared at the device in his palm, then at Anna, her intelligent green eyes now wide with alarm. “I think Dr. Molnar’s absence might be… more than just a coincidence.”

The air in the office, which had moments before been charged with intellectual excitement, now felt thick with suspicion and the cold, metallic tang of betrayal. The whisper of history had become a shout of immediate danger.

Thursday, June 4, 2026

The Iron Nose Witch in Hungarian Mythology

 The scariest witch of my childhood

As a young child, my mom's only weapon to scare me into going to bed when I still wanted to play was the "Vasorrú Bába." When nothing else worked, as a last resort, she said, "Go to sleep, or the Iron Nose Witch (vasorrú bába) will take you away and eat you."

What is a Vasorrú Bába?

A vasorrú bába is one of the most fearsome supernatural figures in Hungarian folklore, but she’s not simply “the Hungarian Baba Yaga.” She’s older, stranger, and symbolically much darker.
A vasorrú bába is a terrifying, witch‑like being with an iron nose, appearing in Hungarian folktales as a child‑stealing, soul‑devouring, or fate‑twisting crone. Her origins reach into Ugric shamanic ancestor‑spirit traditions, and some scholars argue she may descend from an ancient death‑ or birth‑related demon rather than a typical witch. 

What she is in the tales

A monstrous old woman with an iron nose so long it scrapes the ground.
A figure who frightens children and adults, often guarding the threshold between worlds.
Sometimes the mother of demons or the ruler of a liminal, otherworldly household.
A being who tests, torments, or devours heroes — similar to Baba Yaga, but with uniquely Hungarian traits.

Deep origins: not just a witch

Folklorists emphasize that the vasorrú bába is not identical to a boszorkány (witch).
Her roots appear to lie in:
Obi‑Ugor and Ugric shamanic traditions, where ancestor spirits were carved with protruding noses covered in metal plates to prevent decay.
Siberian and Inner Asian mythic figures with metal noses (often copper), suggesting a very old steppe connection.
This makes her less a human witch and more a mythic, ancestral, or underworld entity.

The disturbing scholarly interpretation

A modern ethnographic theory proposes that “vasorrú” or “vasfogú” bába originally referred to a taboo figure connected to childbirth and infanticide — specifically a feared, transgressive midwife.
In this reading:
The iron nose symbolizes a hooked instrument used to reach into the womb.
The iron teeth (in some regions) symbolize the same tool from a frontal view.
Her child‑stealing, devouring behavior in tales echoes this dark association.
This interpretation is controversial but widely discussed in Hungarian folkloristics.

Relationship to Baba Yaga

She is often compared to Baba Yaga, but:
The iron nose is not a Slavic motif.
It is found in Ugric and Siberian traditions.
Hungarian scholars argue she may be an independent, older mythic figure that later blended with Slavic witch motifs.

Symbolic role

Across tales, the vasorrú bába embodies:
Thresholds (forest → otherworld, childhood → danger, life → death)
Fear of the unknown feminine (birth, blood, taboo knowledge)
Ancestral dread (spirits, the dead, the uncanny)
Tests of courage for heroes
She is a guardian of liminal spaces, a devourer, a tester, and sometimes a distorted echo of ancient maternal power.

Like stories about witches?

Supernatural YA fantasy

A love potion made with haste out of jealousy puts Dorian into a coma-like state. A rare orchid that blooms only once a year could save his life, but Liam and his werewolf pack fiercely guard the precious flowers. The acolytes of the coven are forbidden to enter the forest, and the young apprentices volunteer to make the journey that will test their loyalty and courage. Can they succeed?


Cozy supernatural thriller

When her Raven spirit guide warns Lauren of impending danger, but didn’t know what to do. After a brutal attack and the Raven’s repeated warnings, she knows her life is in danger. Who wants her dead and why?


Tuesday, June 2, 2026

The Seven Stages of Grief

When you lose the love of your life 

The seven‑stage model of grief expands on the original five-stage Kübler‑Ross framework to capture more nuance in how people process loss. These stages don’t occur in a fixed order, and people may move back and forth between them or skip some entirely.

1. Shock & Disbelief
The immediate reaction to loss. Everything feels surreal or numb, as if the mind is protecting you from the full impact.

2. Denial
A refusal—conscious or unconscious—to accept the reality of the loss. This can sound like “This can’t be happening” or “This can't be true.”

3. Anger
As the shock fades, intense emotion surfaces. Anger may be directed at yourself, others, the situation, or even the person who is gone.

4. Bargaining
A mental negotiation phase. People often replay “what if” scenarios or imagine deals that could undo the loss.

5. Depression
Deep sadness, withdrawal, or emotional heaviness. This stage reflects the mind beginning to fully grasp the permanence of the loss.

6. Testing
A quieter, more practical phase where you begin experimenting with ways to move forward—small steps, new routines, or tentative coping strategies.

7. Acceptance
Not about being “okay” with the loss, but about acknowledging reality and learning to live with it. Acceptance often comes in waves rather than a single moment.

Erika M Szabo is known for her diverse range of writings, which span historical fantasy, magical realism, cozy mysteries, sweet romance, and children's literature. Her writing style is both expressive and insightful, transporting readers into the depths of the characters' emotions.
Born in a small town in Hungary, Erika grew up with a deep love for literature and storytelling. Always seen with a book in her hand from a young age and soon began creating her own intricate worlds and characters. Her gift for storytelling is evident to all those who know and have encouraged her to pursue her passion.
As she grew older, Erika's thirst for adventure and new experiences led her to travel the world. She lived in various countries, soaking up their cultures and traditions, and absorbing them into her writing. Her travels also allowed her to meet a diverse array of people, whose stories and perspectives she wove into her novels.
Despite her literary success and acclaim, Erika remains a humble and down-to-earth person. She often speaks of her belief in the power of words to connect and heal, and her writing reflects this deep empathy and understanding of human experience.
After having negative experiences with publishers, she started her own company to help authors with book formatting, cover design, and navigating the complexities of the publishing industry http://www.goldenboxbooks.com

Erika is also the founder of #OurAuthorGang, a group of writers blogging together. This diverse group showcases the power of collaboration and the potential it has to elevate individuals and create something truly special such as the What If? Anthology Series
Some of her notable works include: "Protected by the Falcon": The first book in "The Ancestors' Secrets" series. This urban fantasy/magical realism novel introduces readers to a world of clan mysteries and ancient traditions.
The "Unbroken Curse": A historical fantasy that explores an ancient curse cast by a powerful witch sixteen hundred years ago, affecting families across generations.

The Seven Cozy Shorts includes seven novellas ranging from paranormal fantasy and unconventional relationships to futuristic love stories.

Some of Erika’s books are also published in Spanish, Hungarian, and German, as well as in audiobooks.
In addition to her novels, Erika has authored several children's books that emphasize moral values, acceptance, and friendship. Titles such as "Pico the Pesky Parrot" and "Look, I Can Talk With My Fingers" aim to educate and inspire young readers.
Erika's complex career reflects her passion for storytelling, art, and supporting fellow authors in bringing their creative visions to life.

Friday, May 29, 2026

When Her Shadow Spoke Her Name

 The Shadow in Hungarian mythology

A short story by Erika M Szabo

In a village tucked beneath the Zemplén hills, where the fog moves like old spirits changing their coats, lived a girl named Ilona, born with a shadow that never quite behaved.

Most shadows follow.

Hers… listened.

The elders whispered that her árnyék was “too awake,” for it stretched toward things she had not yet noticed. A fox slipping between birches, a storm gathering behind the ridge, a sorrow in someone’s eyes. It was as if her shadow saw the world a heartbeat before she did.

One day, as Ilona walked home, she heard a soft rustle behind her. She turned, and her shadow did not turn with her.

It stood motionless, dark as ink spilled on the cobblestone street.

“Ilona,” it said, in a voice like wind through hollow reeds.

She froze. Shadows were not meant to speak. Not in this world.

“You dropped a piece of yourself,” the shadow continued, holding out something small and glowing. A sliver of warmth she hadn’t realized she’d lost. A memory. A courage. A spark.

Ilona reached out. The moment her fingers brushed the light, she felt her breath deepen, her spine straighten, her fear loosen like an old knot.

“Why help me?” she whispered.

Her shadow tilted its head. “Because I am not your darkness,” it said. “I am your echo. Your witness. Your other way of knowing.”

Then it stepped back into place, flattening against the snow, becoming once more the obedient silhouette the world expected.

But from that night on, Ilona walked differently.

Not alone.

Never alone.

For in Hungarian lands, where the veil between worlds is thin, a shadow is not merely a shape. It is a companion of the soul, quiet but alive, waiting for the moment you finally hear it speak your name.

Shadows as extensions of the soul

Hungarian mythology holds that the lélek (the soul) is immortal and can move between worlds. The Middle World (our world) is shared with spirits and supernatural beings, and the boundary between body and soul is spongy.

This worldview is documented in Hungarian mythological cosmology, where the soul is seen as a traveler between realms.

In many Uralic cultures, the shadow is considered one of the soul’s “bodies.” While not stated explicitly in the sources, this aligns with the Hungarian belief that the soul can detach, wander, or be influenced by spirits.

Shadows as vulnerable doubles

Across Central and Eastern Europe, including Hungary, there is a long-standing belief that a person’s shadow can be injured or stolen, causing illness or misfortune. This motif appears in Hungarian folk magic and healing traditions, where the shadow is treated as a living imprint of the person.

While our search did not surface a direct Hungarian tale where the shadow is a named companion, the cosmology shows that Hungarians saw the world as full of spirits interacting with humans, and that parts of the self (like the soul-shadow) could be targeted by these forces.

Inference: This suggests shadows were not inert — they were spiritually alive enough to require protection.

Shadowspirits in the Táltos tradition

The táltos — Hungarian shamans — were believed to travel between worlds, interact with spirits, and confront forces of darkness. In these stories, shadows and darkness are animated, responsive, and spiritually potent, though not personified as companions.

Hungarian myth describes the táltos as mediators between the visible and invisible, where “magic threaded through shadow and sunlight alike.”

Inference: Shadows are part of the spiritlandscape the táltos navigates alive in the sense of being spiritually active.

Folktale motifs: shadow loss, shadow sickness, shadow magic

Hungarian folk healing includes practices to “restore the shadow” of someone who has been frightened, cursed, or spiritually weakened. This echoes the idea that the shadow is a quasiliving double that can detach.

Common motifs include:

A person becomes ill because their shadow was “stepped on” or magically bound.

A child losing vitality because their shadow was frightened away.

Rituals to “call back” the shadow at dusk.

These motifs are not unique to Hungary but are strongly present in the Carpathian Basin’s folk magic.

So do Hungarian folktales treat shadows as living companions?

Not companions in the narrative sense.

But yes, shadows are treated as:

spiritually alive

souladjacent

vulnerable

magically significant

capable of separation

essential to a person’s wholeness

In the Hungarian worldview, your shadow is less a friend and more a silent twin. A living outline of your soul that must be protected.


Thursday, May 21, 2026

Money Does Not Stink

 Money itself carries no odor, regardless of its source


The phrase “money doesn’t have a smell” originates from ancient Rome, specifically from the Latin expression pecunia non olet, meaning “money does not stink.” It is attributed to the Roman emperor Vespasian (ruled AD 69–79). 

Vespasian reinstated a tax on urine—yes, urine—because it was valuable in Roman industries such as tanning and laundering. When his son Titus objected to making money from something so foul, Vespasian held up a coin and asked whether it smelled bad. When Titus said no, Vespasian replied that the money came from urine, nonetheless. 

This anecdote, recorded by the historian Suetonius, cemented the proverb:
Money itself carries no odor, regardless of its source.

Meaning today
The saying is used to express the idea that people often ignore the moral or practical origins of money as long as it is useful or profitable.

Author Erika M Szabo

Some of Erika’s books are also published in Spanish, Hungarian, and German, as well as in audiobooks.
In addition to her novels, Erika has authored several children's books that emphasize moral values, acceptance, and friendship. Titles such as "Pico the Pesky Parrot" and "Look, I Can Talk With My Fingers" aim to educate and inspire young readers.
Erika's complex career reflects her passion for storytelling, art, and supporting fellow authors in bringing their creative visions to life.


Wednesday, May 20, 2026

Eternal Flame Falls

 What makes Eternal Flame Falls unique

Eternal Flame Falls is a rare natural wonder in Chestnut Ridge Park, Erie County, New York, where a small waterfall and a naturally burning flame coexist in the same grotto. The flame is fueled by natural gas seeping from cracks in the underlying shale, creating the striking illusion of fire glowing behind falling water.

What makes Eternal Flame Falls unique
It’s a 30‑foot cascade along Shale Creek with a small alcove at its base where natural gas escapes and can be lit to produce a 4–8 inch flame. 

The flame is usually visible year‑round. Geologists found the seep contains unusually high concentrations of ethane and propane (~35%), unlike most natural gas seeps dominated by methane. 

The gas originates from Rhinestreet Shale about 400 meters deep, likely reaching the surface through faults created by tectonic activity. 

The flame may be small, but the combination of fire and water makes it a memorable sight.


Erika M Szabo is known for her diverse range of writings, which span historical fantasy, magical realism, cozy mysteries, sweet romance, and children's literature. Her writing style is both expressive and insightful, transporting readers into the depths of the characters' emotions.
Born in a small town in Hungary, Erika grew up with a deep love for literature and storytelling. Always seen with a book in her hand from a young age and soon began creating her own intricate worlds and characters. Her gift for storytelling is evident to all those who know and have encouraged her to pursue her passion.
As she grew older, Erika's thirst for adventure and new experiences led her to travel the world. She lived in various countries, soaking up their cultures and traditions, and absorbing them into her writing. Her travels also allowed her to meet a diverse array of people, whose stories and perspectives she wove into her novels.
Despite her literary success and acclaim, Erika remains a humble and down-to-earth person. She often speaks of her belief in the power of words to connect and heal, and her writing reflects this deep empathy and understanding of human experience.
After having negative experiences with publishers, she started her own company to help authors with book formatting, cover design, and navigating the complexities of the publishing industry http://www.goldenboxbooks.com

Erika is also the founder of #OurAuthorGang, a group of writers blogging together. This diverse group showcases the power of collaboration and the potential it has to elevate individuals and create something truly special such as the What If? Anthology Series
Some of her notable works include: "Protected by the Falcon": The first book in "The Ancestors' Secrets" series. This urban fantasy/magical realism novel introduces readers to a world of clan mysteries and ancient traditions.
The "Unbroken Curse": A historical fantasy that explores an ancient curse cast by a powerful witch sixteen hundred years ago, affecting families across generations.

The Seven Cozy Shorts includes seven novellas ranging from paranormal fantasy and unconventional relationships to futuristic love stories.

Some of Erika’s books are also published in Spanish, Hungarian, and German, as well as in audiobooks.
In addition to her novels, Erika has authored several children's books that emphasize moral values, acceptance, and friendship. Titles such as "Pico the Pesky Parrot" and "Look, I Can Talk With My Fingers" aim to educate and inspire young readers.
Erika's complex career reflects her passion for storytelling, art, and supporting fellow authors in bringing their creative visions to life.

Tuesday, May 19, 2026

A "Blood Countess" or a Victim of a Political Conspiracy?

Elizabeth Báthory’s “truth” is complicated

Picture credit Elizabeth Báthory - Wikipedia 

The historical record mixes documented accusations, political motives, and later folklore. She was accused of horrific crimes, but the evidence is far murkier than the legend suggests.

What We Know

Elizabeth Báthory (1560–1614) was a powerful Hungarian noblewoman from the influential Báthory family. 

Between 1610–1611, she and several servants were accused of torturing and killing young women. Her servants were tried and executed; she herself was never tried but was confined in her castle until her death. Testimony from over 300 witnesses was collected, some claiming physical evidence of abused or dead girls. These are the only solid historical anchors.

The Crimes: Fact or Fabrication?

Evidence suggesting guilt.

Witnesses described mutilated or imprisoned girls found at the castle. 

However, her servants confessed under interrogation (though likely under torture).

Contemporary records acknowledge at least some level of cruelty in her household. 

Evidence suggesting a political conspiracy

Modern historians increasingly argue she may have been the victim of a politically motivated plot:

She was a wealthy widow controlling large strategic estates—making her a threat to powerful neighbors, including the Habsburgs. 

Some scholars argue the accusations were orchestrated to seize her lands. 

Researchers note that the most extreme claims (hundreds of victims, bathing in blood) appear only in sources written long after her death, not in contemporary documents. 

Recent academic work suggests she may have been framed because she educated young women and possibly owned a printing press—radical acts for a noblewoman in her era. 

The Blood-Bathing Legend

The famous story that she bathed in the blood of virgins to stay young is pure folklore:

These tales were recorded more than a century after her death. 

No contemporary evidence supports them.

They likely grew from misogynistic “evil noblewoman” tropes and later Gothic storytelling. 

So What’s the Most Likely Truth?

Based on modern scholarship:

1. She probably committed some acts of cruelty. Noble households of the era often used harsh punishments, and multiple witnesses described abuse. 

2. The scale of the crimes was almost certainly exaggerated. Claims of 600+ victims appear in much later sources and are not supported by contemporary evidence. 

3. She may have been targeted for political reasons. Her wealth, independence, and influence made her a convenient target for those seeking to diminish the Báthory family. 

4. The “Blood Countess” legend is mostly myth. The vampiric elements were added long after her death and reflect folklore, not fact. 

Elizabeth Báthory was almost certainly not the supernatural monster of legend.

She may have been a harsh noblewoman in a violent era, or a victim of a political “stitch‑up,” as some researchers argue. 

The truth lies somewhere between real cruelty and historical character assassination, amplified over centuries into one of Europe’s darkest myths.

Erika M Szabo is known for her diverse range of writings, which span historical fantasy, magical realism, cozy mysteries, sweet romance, and children's literature. Her writing style is both expressive and insightful, transporting readers into the depths of the characters' emotions.

Friday, May 15, 2026

I'm a Sucker for Educational Books for Kids

 Said a reviewer

A 5* review

Reviewed by Amy Louise Hill for Readers’ Favorite

The Mischiefs of Noodles and Cicada: Are We Allowed to Eat That? by Erika M Szabo is an educational picture book with a hint of humor for young children. Noodles the dog and Cicada the cat enjoy living together with their human owners. But from time to time, Cicada's mischievous side takes over. One day, Cicada is woken by the sound of their owners having a gathering in the garden. Cicada wanders into the kitchen and is met by a delightful smell. Hotdogs! She calls Noodles and the two of them salivate over the delicious food before them. Cicada's naughty side kicks in and she can't resist the temptation. She hops up onto the counter and tucks in, leaving poor Noodles stranded on the floor, unable to reach. Will Cicada be able to control her mischievousness and share the food? Or will she gobble up all the food herself? Find out in this book.

The Mischiefs of Noodles and Cicada: Are We Allowed to Eat That? was a pleasure to read. I'm a sucker for educational books for kids and this one made it to my top ten favorites list. Author Erika M Szabo has clearly and simply laid out important lessons for children to soak up and learn from. Not only will children learn from Erika's words, but they will also enjoy the banter between Noodles and Cicada, leaving them full of giggles. The illustrations are adorable and add more enjoyment to the book when reading. Erika has created a great book for children. I just know they're going to love reading it. Good luck and stay creative!

Erika M Szabo is known for her diverse range of writings, which span historical fantasy, magical realism, cozy mysteries, sweet romance, and children's literature. Her writing style is both expressive and insightful, transporting readers into the depths of the characters' emotions.

Thursday, May 14, 2026

French History - the King's Casket Girls

 When women had very limited choices

https://books2read.com/u/b5X7A7

Born in a brothel in Paris in the early 1700s, Madeleine's future had been decided by her courtesan mother and Madame Claudine. Her innocence at age fourteen would be sold to the highest bidder. She’d be treated as a usable and disposable toy to fulfill her patron’s every perverted desire until he tires of her. Then she’d become a courtesan to entertain anyone who visited the brothel.

Madeleine dreams of a better future. She runs away and finds temporary refuge in a convent, but she doesn’t have too many options when she turns eighteen. Either going back to the brothel, becoming a servant with an uncertain future, living her life as a nun, or becoming a filles à la cassette, one of the King’s Casket Girls, since no reputable man would marry her in France with nothing to her name. To escape her gloomy future, she sails to the New World with hopes for a better life.

What will her future hold? Will she find happiness?

A reader said

"I came across Restless Heart while researching short historical fiction about women navigating survival in 18th-century France and the French colonial world. What stopped me was the historical detail at the center of this story: the filles à la cassette, the King's Casket Girls, is a real and genuinely underwritten chapter of French history, and almost no contemporary fiction touches it. That is not a premise someone finds by accident.

The filles à la cassette is a piece of history that most readers have never encountered, and that is an asset, not a limitation. Readers who love underexplored corners of women's history and colonial-era survival narratives are an active and loyal audience, and they search for exactly this kind of story."

Erika M Szabo is known for her diverse range of writings, which span historical fantasy, magical realism, cozy mysteries, sweet romance, and children's literature. Her writing style is both expressive and insightful, transporting readers into the depths of the characters' emotions.

Tuesday, May 12, 2026

Why did early settlers name the Catskills the Land of Falling Stars

 A misinterpretation of Dutch words related to waterfalls

Early settlers called the Catskills the “Land of Falling Stars” because the region was known for its waterfalls, not meteors. The term comes from the old Dutch place‑name Potick, meaning “water fall.” This name was originally applied to the rapids in the Catskill Creek near Wolcott Mills and later extended to the surrounding area. Over time, settlers unfamiliar with Dutch etymology misunderstood or reinterpreted these names, leading to poetic descriptions like “Land of Falling Stars,” which likely referred to the dramatic appearance of cascading water rather than celestial events. 

Why early settlers used names like “Land of Falling Stars”

The Catskills were settled by people who were:
Dutch‑speaking (17th century)
English‑speaking (18th century)
Often unfamiliar with each other’s languages, dialects, and place‑name origins

This created a perfect environment for:
Misheard translations
Folk etymologies
Romantic reinterpretations of Native and Dutch names

“Land of Falling Stars” almost certainly came from:
A misinterpretation of Dutch words related to waterfalls
(e.g., padtak, padtic, potik, potic — all variants meaning waterfall or rapids)
The Catskills’ dramatic cascading streams, which settlers described as “falling water,” “falling lights,” or “falling stars” in letters and journals
A tendency among later 18th–19th century writers to romanticize the region, turning literal descriptions into poetic ones.
So the phrase wasn’t about meteors — it was about waterfalls that looked like streaks of white light.

Why these names matter

Early Catskill names are a blend of:
Native languages (Lenape, Mahican)
Dutch colonial terms
English reinterpretations
19th‑century romanticism
That’s how a simple waterfall name could evolve into something as poetic as “Land of Falling Stars.”

Here are a few Catskill place‑name stories you might enjoy

Core Catskills (Greene County & Ulster County)

Catskill
Not from “cats”
Likely from Dutch Kaaterskill meaning “wildcat creek”
Kill” = creek
“Kaaters” = bobcats or mountain lions, which were common in the region

Clove” = Dutch for cleft or gorge
Early travelers described it as “sublime,” “terrible,” and “a place where the mountains fall upon one another”
One of the most dramatic gorges in the Northeast.

Kaaterskill Falls
Origin: Dutch
Meaning: “Wildcat Creek Falls”
The name predates the Hudson River School painters.

Probably from a Lenape word meaning “rapid waters” or “land of hemlocks”
Early settlers spelled it dozens of ways: Shandaken, Shandakenne, Shandakenkill, Shandakenburgh

Windham
Originally “Batavia,” then “Windham” after the Connecticut town
Settlers said the mountaintops were “wind‑hewn,” which may have reinforced the name

Hunter
Origin: English
Named for: John Hunter, landowner.

Tannersville
Origin: English
Meaning: “Town of tanners”
Notes: Named for the leather‑tanning industry.

Haines Falls
Origin: English
Named for: The Haines family, early settlers.

Palenville
Origin: English
Named for: The Palen family, mill owners..

Prattsville
Origin: English
Named for: Zadock Pratt, tanner and U.S. Congressman.

Jewett
Origin: English
Named for: Freeborn G. Jewett, NY Supreme Court judge.

Northern Catskills (Greene County)

From the Mahican or Dutch root meaning “waterfall”
Early English settlers misheard it as “potic,” “poticus,” or “potic creek”
Later writers embellished it into “falling stars” because the water “fell in shining threads”

Cairo
Origin: English
Pronounced locally: KAY‑ro
Named after: Cairo, Egypt (part of a 19th‑century trend).

Acra / South Acra / Oak Hill
Origin: Dutch
Meaning: Possibly from acker = “field.”

Round Top
Origin: English
Meaning: Descriptive of the mountain’s shape.

East Durham
Origin: English
Named after: Durham, England.

Southern Catskills (Ulster County)

Shandaken
Origin: Lenape
Meaning: “Rapid waters” or “land of hemlocks.”

Origin: Classical revival
Named after: Ancient Phoenicia.

Origin: English
Meaning: “Town in the woods”
Notes: Not the site of the 1969 festival.

Boiceville
Origin: English
Named for: The Boice family.

Olive / Olivebridge
Origin: English
Meaning: Possibly symbolic (olive branch = peace).

Big Indian
Origin: Folklore
Named for: A legendary Lenape man nicknamed “Big Indian.”

Pine Hill
Origin: English
Meaning: Descriptive.

Western Catskills (Delaware County)

Delhi
Origin: English
Pronounced locally: DEL‑high
Named after: Delhi, India.

Margaretville
Origin: English
Named for: Margaret Lewis Livingston.

Roxbury
Origin: English
Meaning: “Rocky borough.”

Andes
Origin: Classical revival
Named after: The Andes Mountains.

Halcott
Origin: English
Named for: George W. Halcott.

Fleischmanns
Origin: German‑American
Named for: The Fleischmann family (yeast magnates).

Eastern Catskills / Hudson Valley Edge

Saugerties
Origin: Dutch
Meaning: Possibly “Little sawyer’s place” (sawyer = woodcutter).

Esopus
Origin: Lenape
Meaning: “Small river” or “place of the high banks.”

Kerhonkson
Origin: Lenape
Meaning: “At the pine tree” or “place of the hornbeam.”

Wawarsing
Origin: Lenape
Meaning: “Where the streams wind.”

Accord
Origin: English
Meaning: “Agreement”
Notes: Named after a dispute was finally settled.

Native (Lenape/Mahican) Roots You’ll See Repeated
These elements appear across many Catskill names:

Kill — Dutch for “creek”
Clove — Dutch for “cleft” or “gorge”
Potic / Poticus — “Waterfall”
Waw / Wah / Wa — “Winding” or “round”
‑ink / ‑ing — “Place of”
‑aken / ‑akenne — “Land of” or “waters of”

What is the origin of your town's name?
Erika M Szabo is known for her diverse range of writings, which span historical fantasy, magical realism, cozy mysteries, sweet romance, and children's literature. Her writing style is both expressive and insightful, transporting readers into the depths of the characters' emotions.