Tuesday, June 16, 2026
The Author's Catch-22 Trap
Wednesday, June 10, 2026
Should I Continue Writing This Book?
Chapter One
Let me know what you think
Chapter One
The heavy oak
door of the Historical Archives groaned in protest as Jayden pushed it open,
the cool air a stark contrast to the bustling Budapest street outside. Sunlight
filtered through stained-glass windows depicting scenes of Hungarian conquest
and artistry, casting a web of colors across the polished marble floor. He’d
been there before, years ago, a wide-eyed archaeological student tracing his
ancestral footsteps. Now, as a recognized archaeologist and full-time employee,
he was there with a purpose, a singular, all-consuming mission that had driven
him across an ocean to discover his heritage. On his first day on the job, he
was punctual and even switched from his usual T-shirt and faded jeans to a
not-so-neatly-ironed shirt and trousers. His thick, brown hair was tied with a
rubber band, and face neatly shaved, he was looking forward to meeting Dr.
Molnar, a great source of the history of the Hunnic Empire.
His gaze swept
across the grand hall, a silent testament to centuries of history. Busts of
stern-faced monarchs and stoic generals lined the walls, their marble eyes
seeming to judge his youthful ambition. Jayden adjusted the strap of his worn
leather satchel that contained all his scribbled notes, digitized maps, and
photocopied ancient texts. He was searching for a needle in a haystack; a
burial site lost to time but whispered about in hushed tones and dismissed by
most as folklore. Attila the Hun’s final resting place.
He approached
the information desk, a polished mahogany behemoth manned by a woman with a stern
expression, hair pulled back in a severe bun. “Excuse me,” Jayden began, his
voice a little too loud in the solemn quiet. “I’m a new employee, and I’m
supposed to report to Dr. Molnar.”
The woman
blinked, her expression unreadable. “Third floor.” Her tone was flat and
efficient.
Jayden offered
a polite nod.
Dr. Andras
Molnar, a renowned, though eccentric, historian who had supposedly dedicated his
later years to the very subject Jayden was now obsessed with. Molnar’s
published works were sparse, but the few he had written hinted at a deep,
intuitive understanding of the Huns. Jayden had managed to secure a position in
his department, a lifeline in his otherwise solitary research.
He navigated
the echoing corridors, the sheer volume of artifacts overwhelming. Armoires,
weaponry, ornate jewelry, each piece a silent story, a fragment of a life lived
long ago. He found the stairs and ascended, the air growing slightly warmer,
the scent of old paper and dust more prominent. The third floor was quiet.
Display cases and shelves held pottery shards, faded textiles, and arrowheads,
each meticulously labelled with dates and origin.
The door was
wide open to Dr. Molnar’s office. Jayden peeked in and scanned the cramped room
overflowing with books. Piles of academic journals teetered precariously on
shelves that sagged under their weight. Jayden knocked.
No answer. He
knocked again, a little louder.
He heard a
muffled cough, then the shuffle of papers. A woman in her late twenties stood
up, her dark hair pulled back into a messy bun that seemed to defy gravity. She
wore a practical, slightly paint-splattered linen shirt and sensible slacks,
her hands stained with what looked like ink. Her eyes, a startling shade of
intelligent green, widened slightly.
“Yes?” she
asked, her voice a warm alto, laced with a hint of weariness.
Jayden felt a
momentary pang of disappointment. This wasn’t Dr. Molnar. “I’m sorry,” he
stammered, “I’m looking for Dr. Andras Molnar. I had been hired by him and…”
The woman
offered a small, apologetic smile. “Oh, Jayden Marlow. Dr. Molnar told me you’re
starting today, but he’s… not in… today is the third day he didn’t show up,
which is highly unusual.” She smiled politely. “I’m Anna Novak. I’m his
research assistant.”
Jayden’s
shoulders slightly sagged, feeling disappointed. He’d counted so much on this
meeting. “Nice to meet you, Miss Novak.” he extended a hand.
Anna’s grip was
firm, her touch surprisingly cool, her gaze sharp, appraising. “Dr. Molnar said
you’ve signed a full-year contract with us to extend your research.”
“Yes,” Jayden
replied, trying to read her expression. He hesitated, then decided to take a chance.
“I’m particularly interested in the Hunnic period. Specifically… the potential
location of Attila’s burial site.”
Anna’s eyebrows
shot up, a flicker of genuine surprise replacing the weariness in her eyes. She
leaned against the desk, crossing her arms. “Attila’s burial site,” she mused,
a faint smile playing on her lips. “A classic. The Huns were a bit… more
elusive than leaving clear written records behind.”
“More elusive,
perhaps,” Jayden conceded, stepping further into the cluttered office, drawn by
her intelligent curiosity. “But that’s precisely what makes it so compelling.
The legends, the lack of concrete evidence… it all points to something
deliberately hidden.”
Anna’s gaze
shifted from his face to a worn leather satchel on his shoulder. “Deliberately
hidden,” she echoed, her voice thoughtful. “And what makes you think it’s here,
in the archives, rather than somewhere in the Great Plains of Hungary, or even
further east?”
Jayden gestured
toward a stack of books near her desk. “Dr. Molnar’s work. His theories on the
strategic significance of river systems, the migratory patterns… he seemed to
hint at a more complex geographical puzzle than most have considered.”
Anna’s smile
widened, a genuine spark igniting in her green eyes. “Ah, his ‘river of gold’
theory. He was always fascinated by the union of natural waterways. I assume
you’ve read all his books.”
“Obsessively,”
Jayden admitted, a flush creeping up his neck. He felt a sudden surge of
validation, that someone else understood the depth of his interest, the
intellectual current that had pulled him here.
“Obsessively is
good,” Anna said, her tone laced with amusement. “He would appreciate that. He
believed the key wasn’t just in the texts, but in the nuances of language, the
forgotten dialects, the coded messages left on everyday items by those who
sought to protect their secrets.”
She pushed a
stray strand of hair behind her ear as Jayden watched her, intrigued. There was
an intensity about her, a sharp focus that mirrored his own. He felt a strange
sense of ease, a connection forming in this cluttered space, amidst the ghosts
of centuries past.
“That’s going
to be your desk.” Anna pointed at the desk buried under stacks of papers and
books. “It’s a bit of a mess; I didn’t have time to clean it for you,” she said,
with a slight shrug of her shoulders.
“No problem. I’m
not really known for my neat working environment.” He laughed. “What are you
working on?”
“I’ve been
working on cataloging a recent find. A quiver made of leather,” Anna said, her
voice shifting to a professional tone. “Mostly unremarkable, until…” She
trailed off, her gaze drifting to a long object on a nearby table, covered by a
dark cloth, and stood up. “Until I found something etched on the inside.”
Jayden followed
her to the table, his archaeologist’s instinct kicking into overdrive. “Etched?
What kind of etchings?”
Anna walked
over to the table and, with a swift motion, pulled back the cloth, revealing an
arrow holder, a quiver. On the hardened leather were faint, almost invisible
markings. Jayden squinted, leaning in closer. They were runes dotted with a few
archaic symbols he couldn’t immediately place.
“Rovásírás,” Anna
said softly, her voice filled with a quiet reverence. “Hungarian runes, mixed
with something older, something… else.”
Jayden felt a
thrill shoot through him, cold and exhilarating. Rovásírás. He had studied it,
though his proficiency was not perfect yet. “Would you mind telling me what it
says?”
Anna’s green
eyes met his, blazing with excitement. “It’s… fragmented. But some phrases are
undeniably significant. ‘The water’s turn,’ it says here.” She pointed to a
cluster of symbols. “And then, ‘the serpent’s sleep.’ And a direction… ‘west of
the great bend.’”
Jayden’s mind
raced, piecing together Anna’s words with Dr. Molnar’s theory and his own research.
The Tisza River’s ancient course. The legends of Attila, often associated with
water and hidden riches. “The water’s turn…” he murmured, his voice hushed with
an emerging realization. “And the serpent’s sleep… a riverbed? A dry riverbed,
perhaps?”
Anna nodded,
her gaze locked on the etchings. “That’s what I suspect. The ‘great bend’… it
could refer to a significant geographical feature. And ‘west of’ it… this is
more than just a quiver. Don’t you think?”
Jayden met her
gaze. He could feel the weight of years of solitary searching lifting. “I
believe,” Jayden said, his voice barely a whisper, “it might be the key. The
key to Attila’s resting place.”
He watched Anna’s
face, the intensity of her focus, the way her mind was already dissecting the
problem, and a feeling of profound hope, a sensation he hadn't allowed himself
to entertain for years.
“The challenge
now,” Anna was saying, her finger tracing the line of a particularly intricate
rune, “is to ascertain which ‘great bend’ and which river. Every
river, including the Tisza, has shifted course over time.”
“But the arrow
case… it’s dated, isn’t it? Can we narrow down the period?” Jayden asked, his
mind already racing through cartographical and historical data he’d
meticulously compiled.
Anna nodded,
her gaze still on the case. “The craftsmanship suggests a mid-5th-century
origin. That places it squarely within Attila’s reign. And the materials, the
pigments used to preserve the leather… they’re consistent with burial artifacts
from that era.”
“But if it’s a
clue to Attila’s tomb,” Jayden pressed, “then it would have been placed with
immense care, likely by someone who knew its significance, someone who wanted
to protect it. Where was it found?”
“Far from the
Tisza River, in the eastern part of the country. An excavation revealed a
burial mound, the grave of a Taltos. Every artifact in the chamber beneath the
mound was surprisingly well preserved, as you see.”
The wheels in
Jayden’s mind were turning furiously. “Dr. Molnar’s work,” he mused aloud, “he
talked about how the Huns were masters of deception, of creating phantom
armies, of disappearing into the landscape. They wouldn’t leave a direct trail,
not for something as sacred as their Great King’s final resting place.”
Anna turned
from the display, her expression thoughtful. “Precisely. So, ‘the water’s turn’
and ‘the serpent’s sleep’ could be metaphors, not literal geographical markers.
Or perhaps they are literal, but so obscured by time and geological change that
only someone with intimate knowledge of the land, and a keen eye for its subtle
shifts, could interpret them.” She ran a hand through her dark hair. “It’s a
fascinating puzzle. And one that requires more than just deciphering runes. It
requires understanding the Hunnic mindset.”
Jayden nodded. “I’ve
spent years studying their nomadic strategies, their military tactics, their
cultural practices. I have a… a feeling for them. My family is from Hungary,
you see. There’s a part of me that’s always felt connected to the past.”
Anna’s eyes
softened slightly. “I understand. My own family has deep roots here. We carry
the history of centuries in our blood.” She gestured around the cramped office.
“This is my world. Trying to make sense of it all. To give a voice to those who
have been forgotten by time.”
Jayden felt a
surge of admiration for her. “So,” he said, trying to suppress the growing
admiration for her, “if we assume the arrow case is genuine, and the clue is
encoded, how do we begin to verify the ‘great bend’ and the ‘water’s turn’?”
“We…” Anna acknowledged
with a small smile, a question shining in her eyes as she looked at Jayden.
“Sorry, I
didn’t mean…” Jayden mumbled. “I assumed we could be working together because…”
“Because we’re
both obsessed with the past?” Anna smiled.
“Yes,” Jayden
sighed, returning the smile.
“Right. We
start with maps,” Anna said decisively, her focus returning to the task at
hand. “Ancient maps, geological surveys, satellite imagery of the Tisza basin.
We look for anomalies, for river courses that don’t match current topography,
for any indication of a significant ancient diversion. And we cross-reference
that with any historical accounts of Hunnic presence in those specific
regions.”
She began to
rummage through the piles of books and papers on her desk, her movements
efficient and purposeful.
“Dr. Molnar,”
Jayden said, “does he have any specific hypotheses about where this ‘great
bend’ might be?”
Anna paused, a
thick, leather-bound volume in her hands. “He was always drawn to the region
around Szeged. The confluence of the Tisza and the Maros rivers. He believed it
was a significant strategic point for the Huns, a place of power and
potentially, a place for something hidden.” She tapped the book. “This is one
of his unpublished journals. He was working on a comprehensive theory of
Attila’s burial. I haven’t fully read it yet, but some passages are…
intriguing.”
She placed the
journal on her desk, sat down, and rolled her chair to reach her computer. “Let
me access the museum’s digital archives. I’ve been comparing his theories with
hard cartographical data. It requires a lot of cross-referencing.”
As Anna began
to type, her fingers flying across the keyboard, Jayden leaned forward,
watching her, a renewed sense of urgency building within him when he noticed a
tiny flicker from the corner of her eye. Turning toward the wall where a
painting of a nobleman hung in full 16th-century Hungarian attire. He scanned
the painting and noticed a dark object at the corner of the frame.
“You know,” Anna
said, without looking up from her screen, “Dr. Molnar believed that the Huns
deliberately used misdirection. That the legends of vast treasures were partly
a lure, to draw attention away from the true hiding place, and partly a
warning. ‘Do not seek what is meant to remain hidden,’ he once wrote.”
Jayden turned
and walked to the painting, taking a closer look. He pulled off a small,
circular device, no larger than a coin. It was sleek, metallic, and utterly
alien to his usual archeological tools. A camera. He thought of
examining the device.
Anna looked up,
her eyes questioning his sudden stillness. “Jayden? What is it?”
Jayden held up
the device, his face a mask of striking realization. “Someone had planted this.
And they’ve been watching Dr. Molnar and you.” He stared at the device in his palm,
then at Anna, her intelligent green eyes now wide with alarm. “I think Dr. Molnar’s
absence might be… more than just a coincidence.”
The air in the
office, which had moments before been charged with intellectual excitement, now
felt thick with suspicion and the cold, metallic tang of betrayal. The whisper
of history had become a shout of immediate danger.
Tuesday, December 30, 2025
Fellowship of Human Authors
The Group
We're a group of authors on Facebook who use our imagination
when we write stories and books. AI comes quite useful when we need a quick picture
or to spot grammar mistakes when we use editing programs, but our books and stories are not created by AI, they're created by our own imagination. In the group, we help each other, discuss publishing and marketing options.
Two of our members, Erika M Szabo and David James, recently
started podcasts.
David reads chapters from books, talks about publishing,
plans to do author interviews, and introduces two fun characters, Ava and
Crimson Racoons, with their developing story.
Erika reads her short stories, introduces books, and talks
about this and that. Although she has a mascot, Marmalade, the naughty orange tabby who is itching to tell her stories on the podcast, she has to wait until Erika gets comfortable with the techno stuff that PodBean offers.
Enjoy the episodes and subscribe to listen to upcoming
episodes.
David's podcasts
Erika's podcasts
Wednesday, August 20, 2025
Cognitive Overload
We've entered a new age of reading and writing
The audience for traditional storytelling has undeniably shifted. My social media analytics tell a sobering tale—where once my posts attracted readers spanning from twenty-somethings to retirees, now the engagement comes primarily from those in their fifties and beyond. The younger generations, it seems, have redirected their leisure hours elsewhere, leaving novels to gather digital dust while their parents and grandparents remain the faithful guardians of the written word.
I asked AI why people don't read anymore, and got a sobering answer:
Book reading has declined in many
parts of the world, and the reasons are layered and fascinating. Here’s a
breakdown of some of the biggest factors:
Digital Distraction
- Smartphones
and social media offer constant stimulation, making long-form reading
feel slow by comparison.
- Short-form
content like TikToks, memes, and reels cater to quick dopamine hits,
reshaping attention spans.
- Many
people feel mentally exhausted from work, news, and digital noise, leaving
less bandwidth for immersive reading.
- The
rise of multitasking culture means fewer people carve out quiet,
uninterrupted time for books.
Economic and Lifestyle Shifts
- Longer
work hours, gig economy pressures, and commuting cut into leisure time.
- Streaming
services and podcasts offer passive entertainment that fits into busy
lives more easily than active reading.
Changing Media Habits
- Audiobooks
and eBooks have grown, but they often compete with other media rather than
replace traditional reading.
- Algorithmic
feeds personalize content so effectively that people rarely seek out
books for discovery anymore.
Generational Trends
- Younger
generations often associate reading with schoolwork rather than pleasure.
- There's
also a shift toward interactive storytelling—like video games or
fan fiction communities—that offer narrative engagement without
traditional books.
Cultural Shifts in Value
- In
some circles, reading is no longer seen as a status symbol or intellectual
pursuit—it’s been replaced by other markers of cultural capital like tech
fluency or social media savvy.
But here's the twist: while fewer people may be reading
books, storytelling itself is thriving. People still crave narrative, meaning,
and emotional depth—they just find it in new formats.
Yet the well of tales within me remains deep and undepleted; perhaps it's time to pour these narratives into vessels better suited for today's thirsting minds to reach those who have abandoned the printed page.
Friday, October 25, 2024
The Legion Method: Part One
Writing for Your Life
As an author of
moderate success, I am often asked how I achieved it. I typically have only one
word to offer.
Luck.
Bad books get
made into movies all the time. Why? Because it was in the right place, at the
right time.
Or, the author
knows somebody; that is about the only other exception.
How can I succeed
at writing? I get asked this one a lot. I have to ask what the definition of
success is for that person. If they mean financially, I suggest they become a
journalist, something regular, something with a guaranteed paycheck.
Don't ever expect
to become financially successful as an author. It is a lottery. You stack the
deck the best you can, but there is no guarantee. If writing isn't enough for
you, you are in the wrong business.
My best advice is
to write because you love to write. Publish. Pat yourself on the back from the
thrill of being available in print. This is the only type of guaranteed success
a writer will ever get. Being available in print is leaving behind a legacy. It
is immortality.
Writing and
publishing will probably cost you money, not make any. And you should learn to
accept that gracefully because the odds that someone will love your work as
much as you do are slim. Have no expectations of success, and you will never be
disappointed.
Develop a thick
skin. Rejection happens frequently, often without explanation. Sometimes, your
story or novel is not what they are looking for, or you don't have the clout to
have your work even read in the first place. Like any industry, it can be a who's
who and who you know game. I don't play that card. I do my thing, get in, and
get out. If I get noticed, terrific; if I don't, oh well. It is the healthiest
attitude to have, in my opinion. I don't like drama. I tend to stay away from
people who enjoy drama. I don't like games. I refuse to play.
I realize that
not everyone is like me. You do you.
But.
I can honestly
say, after being in the business for many years, having been published over
forty times, and having produced and worked as an editor and a producer, that
drama is a drain of resources better used elsewhere. Because I steer clear, as
best as I can, of dramatics and playing the game, I have kept my sanity, and I
am still working.
Not everyone is
going to like you. Get used to it. Get over it. Writing is art, and art is
subjective. I can't stress this enough. Your work may be liked by some, hated
by others, or cause indifference. We all like what we like, whether in a story,
a novel, or a painting, and we are entitled to our preferences. It is OK to
love your work but never expect others to feel the same. Expectations are like
wishes. It is hopes and dreams. We hope that what we strive to produce is
appreciated, lauded, and exalted. The truth is, the best you may ever achieve
is lukewarm praise. This is where that thick skin comes in handy because if you
only publish for attention and do not get it, it will hurt! So, don't expect
it!
I know, I know.
What kind of business operates on the principle of having no expectations of
money, success, or praise? What kind of business expects you to expect so
little yet work so hard? What kind of business practically guarantees that
there aren't any guarantees yet expects you to tear pieces of your soul, put
them on paper, and have people reject them, not read them, not even like them?
Writing.
Writing demands
all these things and more. It not only expects you to expect nothing, it
expects you to keep on writing because you are a writer and for no other
reason.
Write because you
must, want to, and have to. Be your own champion, critic, and fan base.
And, most of all,
don't ever stop writing.
Shebat Legion
Her work can be found wherever fine books are sold.
Shebat Legion is an award-winning, internationally
best-selling, consummate storyteller/producer/publisher whose quirky tales have
appeared in numerous anthologies of various genres, and offerings of her work
have been archived on the moon via The Lunar Codex associated with NASA.
Monday, April 26, 2021
The Doubts of an Author
I Have Doubts
Yes, I have doubts as to the
quality of my writing. Is it any good or am I just fooling myself?
Every morning, early, —always about
5 a. m.—I rise from bed and begin writing. I’m always excited to begin the day
writing, my heart pumping, and my creative juices flowing. On good days, I may
write, off-and-on, for four or five hours. If it goes well, I’m elated; if it
goes badly, I’m miserable. If I only hammered out two or three lines, I feel
that I have wasted my whole day—for nothing! I pout and I feel anger for the
rest of the day, and I wonder whatever made me ever believe that I could ever
do a thing like writing a book, to begin with. Stupid! And for an Indie writer, this is even worse—you don’t have a publisher!
Well, and even having a publisher
isn’t always a sure deal of the quality of one’s writing.
I have had many short stories and
six novels published. My first novel was published by a man who owned a small
publishing company. He kept telling me that my manuscript was one of the best
novels that he had ever read. The contract that I signed with him was a 60/40
contract, with a 30% overhead charge—meaning that before the 60/40 kicked in,
30% was taken off first: I made little money.
So, I don’t know. Yeah, I have
doubts. Even the King says—that’s Stephen King— “Don’t go into writing lightly.
There are too many disappointments.”
Yet, when all is said and done,
there are the occasional emails that I receive from people—total strangers! —thanking
me for my writing putting a smile on their faces.
Yes, I have doubts, but receiving one of those joyful emails makes it all worth it.
Written by:
After many years of being a "struggling" actor in LA, I turned to writing. I have had several novels published: "I'm No P. I."; "A Ghoulish Good Time"; "The 13th Hour"; "Being a P. I.--Again". I have had MS for serval years now; I know physical and mental pain; so I need much laughter to endure it. Hopefully, my novels do just that--give much laughter.
Wednesday, August 14, 2019
Creativity - Your Way
Creativity - Your Way
There's the old saying that everyone has a book in them, waiting to be written. While I'm not sure that's true - not everyone wants to be a writer, after all - I think everyone has the ability to be creative. I would even go so far as to say creativity is part of who we are as human beings.Creativity comes in many forms. Some of us are sculptors, painters, writers, poets, or song writers. There's scrapbooking, photography, crafting, woodworking ... the list goes on and on. Being creative is a way to let your mind run free. It's both relaxing and invigorating. And, even if you don't see yourself in any of the aforementioned creative categories I listed, I'm willing to bet you're still a creative person. Some people use creativty in their jobs - landscapers, architects, engineers, for example. And, then there's some common hobbies such as gardening, sewing, and knitting that require creativity.
If you've always wanted to try your hand at writing, painting, or some other artistic pursuit, what's stopping you? Don't worry about whether or not you'll be any good at it. The whole point of trying something new is to see if you like it. If you enjoy it, that's all that matters, Don't let anyone discourage you from being creative or expressing yourself.
Be creative - YOUR WAY!








