Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Tuesday, June 16, 2026

The Author's Catch-22 Trap

 Are you an author feeling trapped? You're not alone!

The catch-22 loop

Books don’t make money unless they’re seen.  
Visibility costs money.  
The people who sell visibility take the money the book would have made.

It is a catch‑22 — but not in the way most writers think. The trap is real, but the mechanics are different.

But here’s the deeper truth

Most of the “promoters” who take the money aren’t actually selling sales — they’re selling hope, reach, or vanity metrics. And authors, especially early in their careers, are the most vulnerable to that.

Why do the economics feel rigged?

A few structural realities:

Royalties are tiny — $1–$3 per book for most authors.

Ads are expensive — a profitable ad campaign is rare without skill or scale.

Publicists charge $2K–$10K/month and cannot guarantee results.

Traditional publishers expect authors to self-promote anyway, unless you’re already famous.

So yes — if you pay someone $3,000 to promote your book, you’d need to sell 1,500–3,000 copies just to break even. Most books never hit that.

That’s the trap.
So, what are the authors to do if they don't wish to fall into the trap? They do the promotion on their own, hoping to catch readers' attention by posting stories on their blogs and creating short videos on social sites.
In my experience, word-of-mouth advertisements are the best. So, if you've read any of my books and like it, please tell a friend about the story. Thank you!
 

Wednesday, June 10, 2026

Should I Continue Writing This Book?

 Chapter One

My writing method is a bit weird. I don't write notes on the timeline, plot, or characters. Usually, something triggers an idea in my mind, and I let my imagination do the rest. 
I start writing and think of the next 4-5 steps ahead. Later, I go back and change or add something, but usually the story flows pretty smoothly as I progress with the chapters.

Although I just finished writing chapter one, this will not be the final version. As the story flows, I might go back to rewrite parts of it.

Let me know what you think

Did the beginning of the story catch your attention? 
Does this chapter promise you a story you'd like to read as a full novel?

Chapter One

The heavy oak door of the Historical Archives groaned in protest as Jayden pushed it open, the cool air a stark contrast to the bustling Budapest street outside. Sunlight filtered through stained-glass windows depicting scenes of Hungarian conquest and artistry, casting a web of colors across the polished marble floor. He’d been there before, years ago, a wide-eyed archaeological student tracing his ancestral footsteps. Now, as a recognized archaeologist and full-time employee, he was there with a purpose, a singular, all-consuming mission that had driven him across an ocean to discover his heritage. On his first day on the job, he was punctual and even switched from his usual T-shirt and faded jeans to a not-so-neatly-ironed shirt and trousers. His thick, brown hair was tied with a rubber band, and face neatly shaved, he was looking forward to meeting Dr. Molnar, a great source of the history of the Hunnic Empire.

His gaze swept across the grand hall, a silent testament to centuries of history. Busts of stern-faced monarchs and stoic generals lined the walls, their marble eyes seeming to judge his youthful ambition. Jayden adjusted the strap of his worn leather satchel that contained all his scribbled notes, digitized maps, and photocopied ancient texts. He was searching for a needle in a haystack; a burial site lost to time but whispered about in hushed tones and dismissed by most as folklore. Attila the Hun’s final resting place.

He approached the information desk, a polished mahogany behemoth manned by a woman with a stern expression, hair pulled back in a severe bun. “Excuse me,” Jayden began, his voice a little too loud in the solemn quiet. “I’m a new employee, and I’m supposed to report to Dr. Molnar.”

The woman blinked, her expression unreadable. “Third floor.” Her tone was flat and efficient.

Jayden offered a polite nod.

Dr. Andras Molnar, a renowned, though eccentric, historian who had supposedly dedicated his later years to the very subject Jayden was now obsessed with. Molnar’s published works were sparse, but the few he had written hinted at a deep, intuitive understanding of the Huns. Jayden had managed to secure a position in his department, a lifeline in his otherwise solitary research.

He navigated the echoing corridors, the sheer volume of artifacts overwhelming. Armoires, weaponry, ornate jewelry, each piece a silent story, a fragment of a life lived long ago. He found the stairs and ascended, the air growing slightly warmer, the scent of old paper and dust more prominent. The third floor was quiet. Display cases and shelves held pottery shards, faded textiles, and arrowheads, each meticulously labelled with dates and origin.

The door was wide open to Dr. Molnar’s office. Jayden peeked in and scanned the cramped room overflowing with books. Piles of academic journals teetered precariously on shelves that sagged under their weight. Jayden knocked.

No answer. He knocked again, a little louder.

He heard a muffled cough, then the shuffle of papers. A woman in her late twenties stood up, her dark hair pulled back into a messy bun that seemed to defy gravity. She wore a practical, slightly paint-splattered linen shirt and sensible slacks, her hands stained with what looked like ink. Her eyes, a startling shade of intelligent green, widened slightly.

“Yes?” she asked, her voice a warm alto, laced with a hint of weariness.

Jayden felt a momentary pang of disappointment. This wasn’t Dr. Molnar. “I’m sorry,” he stammered, “I’m looking for Dr. Andras Molnar. I had been hired by him and…”

The woman offered a small, apologetic smile. “Oh, Jayden Marlow. Dr. Molnar told me you’re starting today, but he’s… not in… today is the third day he didn’t show up, which is highly unusual.” She smiled politely. “I’m Anna Novak. I’m his research assistant.”

Jayden’s shoulders slightly sagged, feeling disappointed. He’d counted so much on this meeting. “Nice to meet you, Miss Novak.” he extended a hand.

Anna’s grip was firm, her touch surprisingly cool, her gaze sharp, appraising. “Dr. Molnar said you’ve signed a full-year contract with us to extend your research.”

“Yes,” Jayden replied, trying to read her expression. He hesitated, then decided to take a chance. “I’m particularly interested in the Hunnic period. Specifically… the potential location of Attila’s burial site.”

Anna’s eyebrows shot up, a flicker of genuine surprise replacing the weariness in her eyes. She leaned against the desk, crossing her arms. “Attila’s burial site,” she mused, a faint smile playing on her lips. “A classic. The Huns were a bit… more elusive than leaving clear written records behind.”

“More elusive, perhaps,” Jayden conceded, stepping further into the cluttered office, drawn by her intelligent curiosity. “But that’s precisely what makes it so compelling. The legends, the lack of concrete evidence… it all points to something deliberately hidden.”

Anna’s gaze shifted from his face to a worn leather satchel on his shoulder. “Deliberately hidden,” she echoed, her voice thoughtful. “And what makes you think it’s here, in the archives, rather than somewhere in the Great Plains of Hungary, or even further east?”

Jayden gestured toward a stack of books near her desk. “Dr. Molnar’s work. His theories on the strategic significance of river systems, the migratory patterns… he seemed to hint at a more complex geographical puzzle than most have considered.”

Anna’s smile widened, a genuine spark igniting in her green eyes. “Ah, his ‘river of gold’ theory. He was always fascinated by the union of natural waterways. I assume you’ve read all his books.”

“Obsessively,” Jayden admitted, a flush creeping up his neck. He felt a sudden surge of validation, that someone else understood the depth of his interest, the intellectual current that had pulled him here.

“Obsessively is good,” Anna said, her tone laced with amusement. “He would appreciate that. He believed the key wasn’t just in the texts, but in the nuances of language, the forgotten dialects, the coded messages left on everyday items by those who sought to protect their secrets.”

She pushed a stray strand of hair behind her ear as Jayden watched her, intrigued. There was an intensity about her, a sharp focus that mirrored his own. He felt a strange sense of ease, a connection forming in this cluttered space, amidst the ghosts of centuries past.

“That’s going to be your desk.” Anna pointed at the desk buried under stacks of papers and books. “It’s a bit of a mess; I didn’t have time to clean it for you,” she said, with a slight shrug of her shoulders.

“No problem. I’m not really known for my neat working environment.” He laughed. “What are you working on?”

“I’ve been working on cataloging a recent find. A quiver made of leather,” Anna said, her voice shifting to a professional tone. “Mostly unremarkable, until…” She trailed off, her gaze drifting to a long object on a nearby table, covered by a dark cloth, and stood up. “Until I found something etched on the inside.”

Jayden followed her to the table, his archaeologist’s instinct kicking into overdrive. “Etched? What kind of etchings?”

Anna walked over to the table and, with a swift motion, pulled back the cloth, revealing an arrow holder, a quiver. On the hardened leather were faint, almost invisible markings. Jayden squinted, leaning in closer. They were runes dotted with a few archaic symbols he couldn’t immediately place.

“Rovásírás,” Anna said softly, her voice filled with a quiet reverence. “Hungarian runes, mixed with something older, something… else.”

Jayden felt a thrill shoot through him, cold and exhilarating. Rovásírás. He had studied it, though his proficiency was not perfect yet. “Would you mind telling me what it says?”

Anna’s green eyes met his, blazing with excitement. “It’s… fragmented. But some phrases are undeniably significant. ‘The water’s turn,’ it says here.” She pointed to a cluster of symbols. “And then, ‘the serpent’s sleep.’ And a direction… ‘west of the great bend.’”

Jayden’s mind raced, piecing together Anna’s words with Dr. Molnar’s theory and his own research. The Tisza River’s ancient course. The legends of Attila, often associated with water and hidden riches. “The water’s turn…” he murmured, his voice hushed with an emerging realization. “And the serpent’s sleep… a riverbed? A dry riverbed, perhaps?”

Anna nodded, her gaze locked on the etchings. “That’s what I suspect. The ‘great bend’… it could refer to a significant geographical feature. And ‘west of’ it… this is more than just a quiver. Don’t you think?”

Jayden met her gaze. He could feel the weight of years of solitary searching lifting. “I believe,” Jayden said, his voice barely a whisper, “it might be the key. The key to Attila’s resting place.”

He watched Anna’s face, the intensity of her focus, the way her mind was already dissecting the problem, and a feeling of profound hope, a sensation he hadn't allowed himself to entertain for years.

“The challenge now,” Anna was saying, her finger tracing the line of a particularly intricate rune, “is to ascertain which ‘great bend’ and which river. Every river, including the Tisza, has shifted course over time.”

“But the arrow case… it’s dated, isn’t it? Can we narrow down the period?” Jayden asked, his mind already racing through cartographical and historical data he’d meticulously compiled.

Anna nodded, her gaze still on the case. “The craftsmanship suggests a mid-5th-century origin. That places it squarely within Attila’s reign. And the materials, the pigments used to preserve the leather… they’re consistent with burial artifacts from that era.”

“But if it’s a clue to Attila’s tomb,” Jayden pressed, “then it would have been placed with immense care, likely by someone who knew its significance, someone who wanted to protect it. Where was it found?”

“Far from the Tisza River, in the eastern part of the country. An excavation revealed a burial mound, the grave of a Taltos. Every artifact in the chamber beneath the mound was surprisingly well preserved, as you see.”

The wheels in Jayden’s mind were turning furiously. “Dr. Molnar’s work,” he mused aloud, “he talked about how the Huns were masters of deception, of creating phantom armies, of disappearing into the landscape. They wouldn’t leave a direct trail, not for something as sacred as their Great King’s final resting place.”

Anna turned from the display, her expression thoughtful. “Precisely. So, ‘the water’s turn’ and ‘the serpent’s sleep’ could be metaphors, not literal geographical markers. Or perhaps they are literal, but so obscured by time and geological change that only someone with intimate knowledge of the land, and a keen eye for its subtle shifts, could interpret them.” She ran a hand through her dark hair. “It’s a fascinating puzzle. And one that requires more than just deciphering runes. It requires understanding the Hunnic mindset.”

Jayden nodded. “I’ve spent years studying their nomadic strategies, their military tactics, their cultural practices. I have a… a feeling for them. My family is from Hungary, you see. There’s a part of me that’s always felt connected to the past.”

Anna’s eyes softened slightly. “I understand. My own family has deep roots here. We carry the history of centuries in our blood.” She gestured around the cramped office. “This is my world. Trying to make sense of it all. To give a voice to those who have been forgotten by time.”

Jayden felt a surge of admiration for her. “So,” he said, trying to suppress the growing admiration for her, “if we assume the arrow case is genuine, and the clue is encoded, how do we begin to verify the ‘great bend’ and the ‘water’s turn’?”

“We…” Anna acknowledged with a small smile, a question shining in her eyes as she looked at Jayden.

“Sorry, I didn’t mean…” Jayden mumbled. “I assumed we could be working together because…”

“Because we’re both obsessed with the past?” Anna smiled.

“Yes,” Jayden sighed, returning the smile.

“Right. We start with maps,” Anna said decisively, her focus returning to the task at hand. “Ancient maps, geological surveys, satellite imagery of the Tisza basin. We look for anomalies, for river courses that don’t match current topography, for any indication of a significant ancient diversion. And we cross-reference that with any historical accounts of Hunnic presence in those specific regions.”

She began to rummage through the piles of books and papers on her desk, her movements efficient and purposeful.

“Dr. Molnar,” Jayden said, “does he have any specific hypotheses about where this ‘great bend’ might be?”

Anna paused, a thick, leather-bound volume in her hands. “He was always drawn to the region around Szeged. The confluence of the Tisza and the Maros rivers. He believed it was a significant strategic point for the Huns, a place of power and potentially, a place for something hidden.” She tapped the book. “This is one of his unpublished journals. He was working on a comprehensive theory of Attila’s burial. I haven’t fully read it yet, but some passages are… intriguing.”

She placed the journal on her desk, sat down, and rolled her chair to reach her computer. “Let me access the museum’s digital archives. I’ve been comparing his theories with hard cartographical data. It requires a lot of cross-referencing.”

As Anna began to type, her fingers flying across the keyboard, Jayden leaned forward, watching her, a renewed sense of urgency building within him when he noticed a tiny flicker from the corner of her eye. Turning toward the wall where a painting of a nobleman hung in full 16th-century Hungarian attire. He scanned the painting and noticed a dark object at the corner of the frame.

“You know,” Anna said, without looking up from her screen, “Dr. Molnar believed that the Huns deliberately used misdirection. That the legends of vast treasures were partly a lure, to draw attention away from the true hiding place, and partly a warning. ‘Do not seek what is meant to remain hidden,’ he once wrote.”

Jayden turned and walked to the painting, taking a closer look. He pulled off a small, circular device, no larger than a coin. It was sleek, metallic, and utterly alien to his usual archeological tools. A camera. He thought of examining the device.

Anna looked up, her eyes questioning his sudden stillness. “Jayden? What is it?”

Jayden held up the device, his face a mask of striking realization. “Someone had planted this. And they’ve been watching Dr. Molnar and you.” He stared at the device in his palm, then at Anna, her intelligent green eyes now wide with alarm. “I think Dr. Molnar’s absence might be… more than just a coincidence.”

The air in the office, which had moments before been charged with intellectual excitement, now felt thick with suspicion and the cold, metallic tang of betrayal. The whisper of history had become a shout of immediate danger.

Tuesday, December 30, 2025

Fellowship of Human Authors

 The Group

We're a group of authors on Facebook who use our imagination when we write stories and books. AI comes quite useful when we need a quick picture or to spot grammar mistakes when we use editing programs, but our books and stories are not created by AI, they're created by our own imagination. In the group, we help each other, discuss publishing and marketing options.

Two of our members, Erika M Szabo and David James, recently started podcasts.

David reads chapters from books, talks about publishing, plans to do author interviews, and introduces two fun characters, Ava and Crimson Racoons, with their developing story.

Erika reads her short stories, introduces books, and talks about this and that. Although she has a mascot, Marmalade, the naughty orange tabby who is itching to tell her stories on the podcast, she has to wait until Erika gets comfortable with the techno stuff that PodBean offers.

Enjoy the episodes and subscribe to listen to upcoming episodes.

David's podcasts



Erika's podcasts

Wednesday, August 20, 2025

Cognitive Overload

 We've entered a new age of reading and writing

The audience for traditional storytelling has undeniably shifted. My social media analytics tell a sobering tale—where once my posts attracted readers spanning from twenty-somethings to retirees, now the engagement comes primarily from those in their fifties and beyond. The younger generations, it seems, have redirected their leisure hours elsewhere, leaving novels to gather digital dust while their parents and grandparents remain the faithful guardians of the written word.

I asked AI why people don't read anymore, and got a sobering answer:

Book reading has declined in many parts of the world, and the reasons are layered and fascinating. Here’s a breakdown of some of the biggest factors:

Digital Distraction

  • Smartphones and social media offer constant stimulation, making long-form reading feel slow by comparison.
  • Short-form content like TikToks, memes, and reels cater to quick dopamine hits, reshaping attention spans.

Cognitive Overload

  • Many people feel mentally exhausted from work, news, and digital noise, leaving less bandwidth for immersive reading.
  • The rise of multitasking culture means fewer people carve out quiet, uninterrupted time for books.

Economic and Lifestyle Shifts

  • Longer work hours, gig economy pressures, and commuting cut into leisure time.
  • Streaming services and podcasts offer passive entertainment that fits into busy lives more easily than active reading.

Changing Media Habits

  • Audiobooks and eBooks have grown, but they often compete with other media rather than replace traditional reading.
  • Algorithmic feeds personalize content so effectively that people rarely seek out books for discovery anymore.

Generational Trends

  • Younger generations often associate reading with schoolwork rather than pleasure.
  • There's also a shift toward interactive storytelling—like video games or fan fiction communities—that offer narrative engagement without traditional books.

Cultural Shifts in Value

  • In some circles, reading is no longer seen as a status symbol or intellectual pursuit—it’s been replaced by other markers of cultural capital like tech fluency or social media savvy.

But here's the twist: while fewer people may be reading books, storytelling itself is thriving. People still crave narrative, meaning, and emotional depth—they just find it in new formats. 

Yet the well of tales within me remains deep and undepleted; perhaps it's time to pour these narratives into vessels better suited for today's thirsting minds to reach those who have abandoned the printed page.

Friday, October 25, 2024

The Legion Method: Part One

 Writing for Your Life


As an author of moderate success, I am often asked how I achieved it. I typically have only one word to offer.

Luck.

Bad books get made into movies all the time. Why? Because it was in the right place, at the right time.

Or, the author knows somebody; that is about the only other exception.

How can I succeed at writing? I get asked this one a lot. I have to ask what the definition of success is for that person. If they mean financially, I suggest they become a journalist, something regular, something with a guaranteed paycheck.

Don't ever expect to become financially successful as an author. It is a lottery. You stack the deck the best you can, but there is no guarantee. If writing isn't enough for you, you are in the wrong business.

My best advice is to write because you love to write. Publish. Pat yourself on the back from the thrill of being available in print. This is the only type of guaranteed success a writer will ever get. Being available in print is leaving behind a legacy. It is immortality.

Writing and publishing will probably cost you money, not make any. And you should learn to accept that gracefully because the odds that someone will love your work as much as you do are slim. Have no expectations of success, and you will never be disappointed.

Develop a thick skin. Rejection happens frequently, often without explanation. Sometimes, your story or novel is not what they are looking for, or you don't have the clout to have your work even read in the first place. Like any industry, it can be a who's who and who you know game. I don't play that card. I do my thing, get in, and get out. If I get noticed, terrific; if I don't, oh well. It is the healthiest attitude to have, in my opinion. I don't like drama. I tend to stay away from people who enjoy drama. I don't like games. I refuse to play.

I realize that not everyone is like me. You do you.

But.

I can honestly say, after being in the business for many years, having been published over forty times, and having produced and worked as an editor and a producer, that drama is a drain of resources better used elsewhere. Because I steer clear, as best as I can, of dramatics and playing the game, I have kept my sanity, and I am still working.

Not everyone is going to like you. Get used to it. Get over it. Writing is art, and art is subjective. I can't stress this enough. Your work may be liked by some, hated by others, or cause indifference. We all like what we like, whether in a story, a novel, or a painting, and we are entitled to our preferences. It is OK to love your work but never expect others to feel the same. Expectations are like wishes. It is hopes and dreams. We hope that what we strive to produce is appreciated, lauded, and exalted. The truth is, the best you may ever achieve is lukewarm praise. This is where that thick skin comes in handy because if you only publish for attention and do not get it, it will hurt! So, don't expect it!

I know, I know. What kind of business operates on the principle of having no expectations of money, success, or praise? What kind of business expects you to expect so little yet work so hard? What kind of business practically guarantees that there aren't any guarantees yet expects you to tear pieces of your soul, put them on paper, and have people reject them, not read them, not even like them?

Writing.

Writing demands all these things and more. It not only expects you to expect nothing, it expects you to keep on writing because you are a writer and for no other reason.

Write because you must, want to, and have to. Be your own champion, critic, and fan base.

And, most of all, don't ever stop writing. 


Shebat Legion

Her work can be found wherever fine books are sold.

Shebat Legion is an award-winning, internationally best-selling, consummate storyteller/producer/publisher whose quirky tales have appeared in numerous anthologies of various genres, and offerings of her work have been archived on the moon via The Lunar Codex associated with NASA.


Monday, April 26, 2021

The Doubts of an Author

 I Have Doubts

Image credit: Lukas Biery from Pixabay

Yes, I have doubts as to the quality of my writing. Is it any good or am I just fooling myself?

Every morning, early, —always about 5 a. m.—I rise from bed and begin writing. I’m always excited to begin the day writing, my heart pumping, and my creative juices flowing. On good days, I may write, off-and-on, for four or five hours. If it goes well, I’m elated; if it goes badly, I’m miserable. If I only hammered out two or three lines, I feel that I have wasted my whole day—for nothing! I pout and I feel anger for the rest of the day, and I wonder whatever made me ever believe that I could ever do a thing like writing a book, to begin with. Stupid! And for an Indie writer, this is even worse—you don’t have a publisher!

Well, and even having a publisher isn’t always a sure deal of the quality of one’s writing.

I have had many short stories and six novels published. My first novel was published by a man who owned a small publishing company. He kept telling me that my manuscript was one of the best novels that he had ever read. The contract that I signed with him was a 60/40 contract, with a 30% overhead charge—meaning that before the 60/40 kicked in, 30% was taken off first: I made little money.

So, I don’t know. Yeah, I have doubts. Even the King says—that’s Stephen King— “Don’t go into writing lightly. There are too many disappointments.”

Yet, when all is said and done, there are the occasional emails that I receive from people—total strangers! —thanking me for my writing putting a smile on their faces.

Yes, I have doubts, but receiving one of those joyful emails makes it all worth it.

Written by:

Alan Zacher

After many years of being a "struggling" actor in LA, I turned to writing. I have had several novels published: "I'm No P. I."; "A Ghoulish Good Time"; "The 13th Hour"; "Being a P. I.--Again". I have had MS for serval years now; I know physical and mental pain; so I need much laughter to endure it. Hopefully, my novels do just that--give much laughter.

Wednesday, August 14, 2019

Creativity - Your Way

Creativity - Your Way

There's the old saying that everyone has a book in them, waiting to be written. While I'm not sure that's true - not everyone wants to be a writer, after all - I think everyone has the ability to be creative. I would even go so far as to say creativity is part of who we are as human beings.


Creativity comes in many forms. Some of us are sculptors, painters, writers, poets, or song writers. There's scrapbooking, photography, crafting, woodworking ... the list goes on and on. Being creative is a way to let your mind run free. It's both relaxing and invigorating. And, even if you don't see yourself in any of the aforementioned creative categories I listed, I'm willing to bet you're still a creative person. Some people use creativty in their jobs - landscapers, architects, engineers, for example. And, then there's some common hobbies such as gardening, sewing, and knitting that require creativity.

If you've always wanted to try your hand at writing, painting, or some other artistic pursuit, what's stopping you? Don't worry about whether or not you'll be any good at it. The whole point of trying something new is to see if you like it. If you enjoy it, that's all that matters, Don't let anyone discourage you from being creative or expressing yourself.

Be creative - YOUR WAY!

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To read more of Tricia Drammeh's post, please visit her blog: https://authortriciadrammeh.wordpress.com/